The method

Four layers, and a rule about evidence

Most palm readings are a single undifferentiated block of warm prose. Ours are built in layers, each one visibly resting on the one beneath, because that is the only structure in which you can tell whether a reading is saying anything.


Layer 01

The record

Before a word of interpretation, your hand is described physically: where each crease runs, how the mounts sit, the set of the fingers, the angle of the thumb. Every entry carries a visibility verdict — clear, partial, or not visible in this photograph. A sceptic should be able to read this section and find nothing to argue with.

Why it is there. This is the section that makes the rest checkable. It is also the section most readings do not have, because it is where you find out how much of a hand a photograph really shows.
Layer 02

The read

What four centuries of tradition make of those observations. Every claim names the feature it comes from, so you can trace any sentence back to something in layer one. Where two features point in opposite directions, the reading says so.

Why it is there. A hand that contradicts itself is the most interesting thing in a reading. Naming the contradiction is what a practitioner does; smoothing it into a compliment is what a fortune-teller does.
Layer 03

Your question

You choose the subject before you upload — relationships, work, a decision you are sitting on, or the full character read. The directed layer argues only from what is already on the page above it, and labels every piece of evidence with its real source: your hand, or something you told us.

Why it is there. Presenting something you told us as though we read it off your palm is the oldest trick in the trade. Showing the sourcing openly makes the reading better, not weaker.
Layer 04

Straight talk

The section where the reading stops being diplomatic — the uncomfortable thing a paid reader usually softens — followed by a plain statement of what this reading genuinely cannot tell you.

Why it is there. A reading that admits its limits is the only kind worth trusting. Ours is required to end by naming them.

What we will not do

These are constraints written into how every reading is generated, not promises made in small print. They override everything else, including anything you ask for.


Why we publish the argument against us

Our journal carries a piece on Ray Hyman, a psychologist who read palms for money until a colleague suggested he try telling clients the opposite of what the lines said. The clients agreed just as readily. That is the strongest argument against everything on this site and we would rather you heard it from us.

What survives it is this: a specific, structured, carefully written account of a photograph of your own hand, pointed at a question you chose, in a tradition with four centuries of vocabulary behind it. As a prompt for thinking about yourself, it earns its price. As a forecast, it is worth nothing, and we will not sell it to you as one.